The Long Good Friday is a continuing weekly column that tries to thematically or tangentially link together three varying films that would make one hell of an evening at the home theater. Most of these flicks are readily available from Netflix, Blockbuster or Amazon, and some are even available on demand. This is our attempt at a gateway drug to irresponsible movie-watching
A lot of my feelings for Kevin Smith films have faded away almost entirely. Even a movie like CLERKS doesn’t have a lot of resonance anymore. CHASING AMY, however, was a milestone in my cinematic life. While the thoughts expressed in this essay are certainly dated, a lot of it still holds true.
The Long Good Friday is a continuing weekly column that tries to thematically or tangentially link together three varying films that would make one hell of an evening at the home theater. Most of these flicks are readily available from Netflix, Blockbuster or Amazon, and some are even available on demand. This is our attempt at a gateway drug to irresponsible movie-watching
What if you found an elaborate invitation to a Halloween party? What if you decided to go? What if, once you got there, everyone tried to kill you? This is the premise of MURDER PARTY, the first feature by Jeremy Saulnier. And it’s an interesting one. It just so happens that every other part of the film is an exercise in how to fail at filmmaking
Mr. Frizzi is the composer of the score for Lucio Fulci’s supernatural/zombie apocalypse classic THE BEYOND. Nowadays, he is assisting the rise of the Grindcore genre of music by allowing his THE BEYOND score titles to be optioned as band names
The 50 Best Albums of the 2000s: Numbers 28 - 27
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Review: AVATARThe 50 Best Albums of the 2000s.
You're Doing It Wrong: Hollywood Netflix Us Off
A Hard Left Hook: James Cameron's Avatar
Review: The Twilight Saga: New MoonThe Long Good Friday 006
Review: ONCE
Long Good Friday 012
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