The Long Good Friday is a continuing weekly column that tries to thematically or tangentially link together three varying films that would make one hell of an evening at the home theater. Most of these flicks are readily available from Netflix, Blockbuster or Amazon, and some are even available on demand. This is our attempt at a gateway drug to irresponsible movie-watching
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By Tom Nix
The Changeling is legitimately spooky ghost story. It is not a movie where Angelina Jolie practices recognizing her own children. For those of you looking for an article about Angelina Jolie – Why
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Where the Wild Things Are is a lot like the Dark Side Cave in The Empire Strikes Back. You will get out of it only what you bring in with you
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By Tom Nix
An American Werewolf in London has remained (and will remain – anyone who thinks THE WOLFMAN has a shot at knocking this movie off the hill should quit reading the secret messages in their spaghetti-os) the best werewolf movie in 30 years. This is due to a very simple reason. It is perfect.
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Because it is Monday and the world is ending slowly!
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Not to get off track, but the world is filled with two kinds of people: those who think everything revolves around little paper documents, and those who carry spears. The spear bunch think that the document clique are nincompoops
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Long before Creepshow and Trick ‘r Treat got back into the anthology business, one of the premiere names in fear tried his hand at a three part spook-a-blast. And i’ll be damned if it doesn’t work
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The Long Good Friday is a continuing weekly column that tries to thematically or tangentially link together three varying films that would make one hell of an evening at the home theater. Most of these flicks are readily available from Netflix, Blockbuster or Amazon, and some are even available on demand. This is our attempt at a gateway drug to irresponsible movie-watching
READ MORE
DEEP RED was my first foray into the moist world of Dario Argento. His vision of what horror should look and sound like in the 70′s and 80′s is still unmatched in its intensity and beauty. For any of you not introduced to the man, Deep Red pretty much sums up why he was, at one time, untouchable
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WILD ZERO is, to elaborate on a friend’s summation, like watching Andrew W.K. cover a Dio album. You’ve got alien spaceships, forbidden love, the walking dead, and guys with glowing green eyes – all played with a Gibson Explorer pushed through an amplifier turned to eleven
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