The Haunting is almost inarguably the most beautiful horror movie ever made. Despite that, the horror part of that sentence is fully accurate. Despite a gorgeous presentation, the movie is designed to be one of the most unnerving visual experiences in cinema
Sam Raimi’s debut feature is an absolute game changer. Not since Romero’s Night of the Living Dead has there been a movie that so totally redefined what a genre was capable of. Not bad for a $300,000 movie shot in Nowhere, Tennessee
They were the first things to ever scare me and the only things I drew as a kid with any confidence. As I get older, rather than outgrow them, I relate to them even more
The Long Good Friday is a continuing weekly column that tries to thematically or tangentially link together three varying films that would make one hell of an evening at the home theater. Most of these flicks are readily available from Netflix, Blockbuster or Amazon, and some are even available on demand. This is our attempt at a gateway drug to irresponsible movie-watching
With Netflix, Amazon VOD, Hulu and YouTube making nice names for themselves on the internet, there’s countless hours of video content to wade through. We’re here to point you to the good stuff. Prepare to be instantly greatified
By Tom Nix
The Changeling is legitimately spooky ghost story. It is not a movie where Angelina Jolie practices recognizing her own children. For those of you looking for an article about Angelina Jolie – Why
By Tom Nix
An American Werewolf in London has remained (and will remain – anyone who thinks THE WOLFMAN has a shot at knocking this movie off the hill should quit reading the secret messages in their spaghetti-os) the best werewolf movie in 30 years. This is due to a very simple reason. It is perfect.
Not to get off track, but the world is filled with two kinds of people: those who think everything revolves around little paper documents, and those who carry spears. The spear bunch think that the document clique are nincompoops
Long before Creepshow and Trick ‘r Treat got back into the anthology business, one of the premiere names in fear tried his hand at a three part spook-a-blast. And i’ll be damned if it doesn’t work
DEEP RED was my first foray into the moist world of Dario Argento. His vision of what horror should look and sound like in the 70’s and 80’s is still unmatched in its intensity and beauty. For any of you not introduced to the man, Deep Red pretty much sums up why he was, at one time, untouchable
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